2000AD Prog 962 – 20th October, 1995 stands out as a dark, gritty, and atmospheric entry in the long-running British anthology series, with a line-up of stories that plunge deep into sci-fi, occult horror, satire, and military carnage. It’s a masterclass in storytelling from some of the most acclaimed writers and artists of the era, including Pat Mills, John Wagner, Mark Millar, and Peter Hogan, with standout visual work from Nick Percival, Clint Langley, Jason Brashill, John Burns, and Steve Yeowell.

The prog delivers a raw, kinetic cover that perfectly hints at the tone of the stories within. Leading the charge is Slaine, penned by the legendary Pat Mills and featuring art that brings myth and brutality together with visceral clarity. Known for its deep ties to Celtic legend and its unrelenting energy, Slaine remains one of 2000AD’s most enduring titles, and this issue continues to showcase why, as the barbarian hero faces ancient terrors with primal rage.

Judge Dredd is front and centre with The Cal Files, a significant storyline that dives into political conspiracy and hidden corruption at the heart of Mega-City One. Written by John Wagner and featuring appearances from key supporting characters like Judge Edgar and Judge Roffman, it’s a rich piece of world-building that elevates the dystopian satire that the Dredd universe is known for. Art and mood work in tandem to deliver a bleak and engrossing commentary on justice and power.

In parallel, the grim war epic continues with A.B.C. Warriors, from the ever-provocative team of Pat Mills and Clint Langley. Focusing on machine warriors fighting for order in a post-apocalyptic wasteland, this series blends heavy metal aesthetics with philosophical undertones and hard-hitting action. The intense visuals and bold themes place it firmly in the upper tier of British science fiction comics.

The supernatural corner of the prog is well represented by The Journal of Luke Kirby, scripted by Alan McKenzie and illustrated with a haunting touch by Steve Parkhouse. This occult-tinged tale explores the coming-of-age of a young warlock against the backdrop of post-war Britain, full of magic, mystery, and deeply human moments. A truly underappreciated gem in the 2000AD catalogue.

Durham Red also makes a strong appearance, with rich, blood-drenched artwork by Mark Harrison capturing the noir-tinged sci-fi aesthetic of the story. Originally a spin-off from Strontium Dog, Durham Red has grown into a formidable character in her own right, balancing sensuality, survival, and savagery in a galaxy that’s as cruel as it is lawless.

Elsewhere in this packed prog is the continuation of Stix, an exploration of twisted justice in the Dredd universe, and Maniac 5, a cybernetic thriller that combines military science fiction and bio-enhancement horror with artwork that practically crackles off the page. Both are sharp, fast-paced, and steeped in the morally ambiguous world 2000AD thrives on.

This issue is a testament to the diversity and creative ambition of mid-90s 2000AD, where boundary-pushing art meets intelligent, often subversive writing. The presence of so many notable creators – from Jason Brashill’s electric stylings to Mike Hadley’s solid layouts – makes this an essential item for any serious collector.

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